Certainly, it is a commonplace that the filmmaking industry occupies one of the central positions in the life of each modern person. Hereby, we cannot regard the ‘movie’ concept as ‘ding an sich’ because each movie generates a set of closely related, cobwebbing cultural artifacts and interdisciplinary repercussions. In other words, practically every author who faces the challenge of writing a standard evidence-based research about some object of modern media culture, is both a subject of cultural impact and an object of cultural analysis. In fact, the question how to write a movie essay has more to do with other philosophically oriented questions, such as the question how to write a philosophy paper, than it seems at first sight. Therefore, the author should analyze not only the momentary effect of watching a movie but also its long-lasting impact on the audience, which is like the ripples from a stone thrown by a filmmaker’s hand.
Actually, one has to formulate the question what is a film and try to find an original answer for herself. Of course, a standard 1000 words essay about some movie just cannot accommodate all nuances of writer’s thoughts and impressions, but the answers and unhackneyed ideas, which were obtained during this voyage into one’s personality, will make up a unique cultural background and an analytical foundation for one’s future research. In fact, every movie is a sophisticated synthesis – or a unique combination of different interrelated components that create a coherent whole. As a popular and ubiquitous phenomenon – a mass art – the filmmaking industry has the potential for intensification, transformation, generation of the audience’s opinion and even cultural taste. On the other hand, many researchers dispute that movies reflect predominant public views rather than challenge them, and therefore act as variegated concepts of legitimation of the ideologies. Nevertheless, no one will argue that the best film is the one whose narrative and plastic forms have the least existence and the least force. Thus, the dominance of cinema in various spheres of human activity just cannot be challenged. Since, according to this view, the cinematic material is supposed to be perfectly transparent, the screen, therefore, is nothing more than a window opened onto the world.
One of the most important problems of writing a movie review is an insufficient understanding of creative tasks that the author faces. Of course, all writing skills are quite useful for a beginner, thus the author who knows perfectly how to write a speech about a film, will be more prepared for understanding the problem as how to write a review essay about a movie, which will satisfy, equally, the audience’s expectations and the author’s creative hopes. A mediocre movie review contains only a superficial set of judgments about the object of discussion. A great movie review entertains, apprizes and stimulates an audience, supplying readers with various independent ideas and eschewing supervacaneous spoilers and baseless comments. Moreover, an excellent movie review should be a work of art that has at least the same cultural value as the movie itself. Let us examine the most effective techniques of analyzing classic and/or experimental movies. Firstly, one should examine the logic of actions in the script: what a character does and what she thinks, what targets are appointed and what troubles are faced. Naturally, some logical differences in the actions of the characters are inevitable, as defined by the self-contradictory human nature. Nevertheless, the script should reflect the order in mind, not chaos. This technique of analysis allows the author to understand the basic principles of criticizing a movie and supplies her with the necessary information, which permits her to understand how to write a review essay, avoiding inadequate claims to the script. Secondly, a splendid method to create a decent argument is to contrast the subject matter with another subject. Evidence-based collation, which is supported by various facts, includes bringing different subjects together and then looking for intersection points, and ranking these resemblances and distinctions in terms of degree, all of which allow the observer to generate independent opinions about her topic of study. Thirdly, opinions can also be generated by pointing out the limitations of previous observers, and by making more elaborated conclusions than theirs. This method requires comprehensive familiarity with previously written literature sources, thus it is highly advisable to use a reputable college paper writing service or one of the similar consulting services in order to save your time and/or eschew unnecessary expenditure of your efforts.
Regardless of what method of research will dominate in your article, you must remember that your movie review should contain two main parts:
- The comparison of the movie with previously made examples. Remember that you should compare different movies, using exclusively an existing genre classification. Naturally, there is no use to compare a romantic drama with a splatterpunk film. Hereby, you have to classify your object of study before the actual work with an eye to eschew undesirable errors in comparison.
- The analysis of variegated components of the movie. Give a clear assessment for every component of this cultural mix, such as the music, script, acting and cinematography itself. This part of your work should contain different arguments, demonstrative facts and evidence that allow you to convince the audience pertaining the correctness of all your estimates. In other words, this part of the review is your answer to the question: ‘how to write a review essay about the particular object of art’. Of course, you should use an appropriate style of writing in order to avoid familiarity, coquetry or snobbery in addressing your readers. The study of a standard CSE paper will also help you achieve desirable fluency of style.